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Supreme in sculpture and painting, he understood that his skill was in his brain and not in his hands. It is a message consistent with thoughts he expressed in his sonnets.
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In the fresco traditionally called the Creation of Adam, but which might be more aptly titled the Endowment of Adam, I believe that Michelangelo encoded a special message. Scholars debate whether he had any guidance from the Church in the selection of the scenes, and what meaning the scenes were to convey. Commissioned by Pope Julius II, Michelangelo performed this work himself without assistance. The brilliant Italian Renaissance artist Michelangelo Buonarroti painted magnificent frescoes on the ceiling of the Vatican’s Sistine Chapel, laboring from 1508 to 1512. God’s right arm extends to the prefrontal cortex, the most creative and most uniquely human region of the brain. God is superimposed over the limbic system, the emotional center of the brain and possibly the anatomical counterpart of the human soul. Below the right arm of God is a sad angel in an area of the brain that is sometimes activated on PET scans when someone experiences a sad thought. God’s hand does not touch Adam, yet Adam is already alive as if the spark of life is being transmitted across a synaptic cleft. On close examination, borders in the painting correlate with sulci in the inner and outer surface of the brain, the brain stem, the basilar artery, the pituitary gland and the optic chiasm. described what millions had overlooked for centuries - an anatomically accurate image of the human brain was portrayed behind God. The Creation of Adam (1508-1512) on the ceiling of the Sistine Chapel has long been recognized as one of the world’s great art treasures. RICHįAN INTERPRETATION OF MICHELANGELO’S CREATION OF ADAM BASED ON NEUROANATOMY AND THE USE OF SYMBOL AS A METAPHOR OF MEANING